The recent sale of an invisible statue for £13,000 is symptomatic of the thoroughgoing financialization of our economy. Investors have become ever more obsessed with the symbols of economic reality and less concerned with underlying economic facts.
Paul A. Cantor
Paul A. Cantor (1945–2022) was Clifton Waller Barrett Professor of English at the University of Virginia and the author of Pop Culture and the Dark Side of the American Dream: Con Men, Gangsters, Drug Lords, and Zombies.
Articles
Paul Cantor's new book provides a new look at how the "American dream" is shown in pop culture as offering both hope and frustration.
Teaching literature has changed now that the humanities have become a species of what is known as grievance studies, concerned with whether a given author is sexist or racist or classist. This is a cultural shift in education, and not for the better.
Publications
[Chapter 4 from Literature & the Economics of Liberty: Spontaneous Order in Culture, edited by Paul A. Cantor and Stephen Cox.] The real difference between Byron and Shelley is this; those who understand and love them rejoice that Byron died at
The economic interpretation of literature is dominated by ideas derived from Marxism — ideas that demonize the market as the enemy of all that is good. This book, edited by well-known literary critics Paul Cantor (University of Virginia) and Stephen
Media
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Much Ado about Nothing in the Art MarketPaul A. Cantor -
Question and Answer PeriodLlewellyn H. Rockwell Jr.|Paul A. Cantor -
My Seminar with LudwigPaul A. Cantor -
9. When is a Network Not a Network?Paul A. Cantor -
Austrian Economics and Literary CriticismPaul A. Cantor -
10. Conclusion: Culture as Pop CulturePaul A. Cantor -
Taxation and Literary History, or Who Killed John Keats?Paul A. Cantor -
1. The Economic Basis of CulturePaul A. Cantor -
The Road to Cultural Serfdom: America’s First Television CzarPaul A. Cantor -
2. Shakespeare’s TheaterPaul A. Cantor -
Keynes and the PyramidsPaul A. Cantor -
3. The Economics of Painting: Patronage vs. the MarketPaul A. Cantor