DURING the gradual change of emphasis from ‘baasskap’ to ‘separate development’ in the interpretation of apartheid, the most important gesture has been towards the ultimate establishment of ‘Bantustans’1 – areas within which Africans are to be accorded a measure of political autonomy.

THROUGHOUT the description and analysis of South African developments the reader will have perceived the interaction of two sets of opposed forces, the first tending powerfully to liberate the non-white peoples of the world from inertias and coercions which would otherwise perpetuate historical inferiorities of occupation, training and status, the second tending to maintain or strengthen the coercions which hold the non-Whites in economic subjection.

POPULATION (1960 Census)

De Kiewiet, C. W., A History of South Africa, Social and Economic, O.U.P., 1950; The Anatomy of South African Misery, O.U.P., 1956.

Doxey, G. V., The Industrial Colour Bar in South Africa, O.U.P., 1961.

Economic Commission for Africa, Economic and Social Consequences of Racial Discriminatory Practices, United Nations, New York, 1963.

Fagan, H. A., Co-existence in South Africa, Juta, 1963.

Frankel, S. Herbert, The Economic Impact on Under-developed Societies, Blackwell, 1953.

ACT OF UNION 1910, 17, 19

African Mine Workers Union (N. Rhodesia), 108-9

African National Congress, 103

African, The, leisure preference of, 49-50, 51 (f.n.), 54, 90; ‘tsotsi’, 25;

urbanisation of, 87-100; women, influx of from the reserves, 93

Afrikaans, 14-17;

and English, 42-43

Afrikaners, passim

colour attitudes of, 38-44;

poverty among, 32-37

THE THEORY OF
COLLECTIVE BARGAINING

THE THEORY OF

COLLECTIVE
BARGAINING

A HISTORY, ANALYSIS AND CRITICISM
OF THE PRINCIPAL THEORIES WHICH
HAVE SOUGHT TO EXPLAIN THE
EFFECTS OF TRADE UNIONS AND
EMPLOYERS’ ASSOCIATIONS UPON THE
DISTRIBUTION OF THE PRODUCT OF
INDUSTRY

By W. H. Hutt

WITH A PREFACE BY LUDWIG VON MISES

THE FREE PRESS, GLENCOE, ILLINOIS

COPYRIGHT 1954 BY THE FREE PRESS, A CORPORATION

PRINTED IN THE UNITED STATES OF AMERICA

DESIGNED BY SIDNEY SOLOMON